Mass Effect Andromeda Album Art Mass Effect Andromeda Album Cover
Sithu Aye
Fix Grade for Andromeda
Release Date: 2016 | Tracklist
Review Summary: Sithu Aye's ambitious 3rd studio tape set's its course for Andromeda and never descends below the stratosphere for its entire runtime.
Set Course for Andromeda is an Instrumental Progressive Metallic tape by Scotland based guitarist Sithu Aye. This record is created with great ambition, clocking in at a whopping 75-minutes in runtime, there is an absolute mountain of qualities to digest within this album. With most tracks eclipsing the 7-infinitesimal marker with ease. The ambition is felt right from the beginning with the fantastic opener that is Set Course for Andromeda!!!. Sithu wastes no time in showing his incredible fretwork throughout the runway. The runway is a glorious wash to the senses of sonic elation, as is every track on the record. Space Cadet begins tape beautifully with a uncomplicated lead line and an electronic synth following shortly after, the track feels similar you are virtually to embark on a one thousand journeying, and that you about definitely are, filled with a great atmosphere, this runway is a swell fashion to first the record. Sithu is definitely on the aforementioned playing field as the likes of Plini and Aaron Marshall of Intervals to name a few. His softer leads I'd argue are meliorate than the more shreddier sections at times, for example, the span department in the title rails is a stunning brandish of subtle playing with great utilize of vibrato, extremely mesmerizing.
This record feels like a culmination of all that makes up the DNA of Instrumental Progressive Music. The album features every artist ane could possibly think of regarding this genre, Plini, Aaron Marshall of Intervals, Yvette Young of Covet, Jake Howsam Lowe of The Helix Nebula, David Maxim Micic, and I am MISSING some. This is a truly a staggering line-up of artists, the just ones I could call back of that are permit out are Chris Letchford of Scale the Height, and peradventure Tim Henson and Scott LePage of Polyphia? All the same, every creative person featured here brings every rail that has a characteristic to unquantifiable heights. Such every bit David Proverb's staggeringly beautiful catastrophe solo on Beyond the Boundary, or Aaron Marshall's extremely fun outro solo on Transient Transistors, it'southward difficult to fifty-fifty brainstorm to depict how thou these tracks feel at times. Yvette Young'due south beautiful violin playing on the title track compliments everything that is heard stunningly well. The acoustic guitar backside it gives it a very grounded feel, such an enriching and vibrant atmosphere that brings in such an earnest and bonny low-cal. Plini'southward inclusion in the well-nigh jazz focused track on the anthology Spiral works fantastically well as 1 may expect, I would argue this track is the almost accessible on the record, by and large due to its length, only also it'southward rather simplistic song structure compared to the rest of the record, information technology offers a great breath of fresh air from all of the other longer runtime tracks.
Although the drums are programmed, they sound quite real in my opinion, harkening dorsum to the rail Spiral, it actually does audio like a real drummer is playing, in my personal opinion. Beautiful accentuation of ghost notes for that more jazzy feel, I also dear the tone on the snare, super complimentary to everything that'south going on in the strings department. The kick sits just right, non too overbearing or anything of that regard. Rhythm guitars oftentimes get out shun by the lead work, merely constant lush chords are being played in abundance through a large duration of the record, very open sounding, information technology plays a large part in what makes this record sonically then grandiose sounding. The bass provides a great low stop to the overall presentation, and information technology is quite audible which I am a big fan of, once again, extremely complementary to the overall bigger picture, although admittedly it doesn't exercise much more than playing route notes. And of form, I volition reiterate about Sithu's playing, he is a top tier guitarist in this genre, without a doubt. His playing reminds me a lot of John Petrucci of Dream Theater (for the gen Z people), so blisteringly quick at times, but too stunningly gorgeous sonically, his playing takes me to the world of Andromeda, quite literally.
As if this record was not strong enough, The Andromedan closes the record off with its colossal 30-minute runtime. Everything said previously regarding this record can be reiterated hither. Such a pleasant and stunning listen from beginning to end, from Pt. I: A Single Step to Pt. 4: Mother of Creation, it'southward an incredible, magnificent journey. Comparisons can be made towards Rush's 2112 I would suppose, but not much is common between the 2 other than they are long epics in parts, and both derive in affluence from outer infinite travel and sci-fi inspiration. There are subtle Meshuggah influences scattered throughout such as the strong-rooted groove bass section seen in Pt. IV: The Darkness Inside. It gives it a great metal border, or perhaps a Progressive Metalcore edge that works swimmingly alongside all of the other qualities on display. As the name suggests, this track takes quite a night and sinister plow, a overnice switch from what is seen on the record overall, although in that location are heavy sections on previous tracks as well. I feel like I actually don't have to explain what makes this record as a whole and then great, but I did anyhow. This tape is a landmark in the mural of Instrumental Progressive Music and should exist seen as a classic to avid followers of the genre for years to come.
Source: https://www.sputnikmusic.com/review/82540/Sithu-Aye-Set-Course-for-Andromeda/
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